The Virtual Stage ·
The Stage Manager is Called BLIP: On a Robot That Runs the Show
Prompter, assistant director and clown rolled into one: we ask whether BLIP, the flying robot from Laser Thief, carries his role or simply gets on your nerves.
Vol. 1Week 41
Criticism for the apps on your phone and the worlds in your headset.
Department
Virtual and mixed-reality games reviewed the way theatre is: staging, atmosphere, performance and whether it earns its interval.
11 pieces
The Virtual Stage ·
Prompter, assistant director and clown rolled into one: we ask whether BLIP, the flying robot from Laser Thief, carries his role or simply gets on your nerves.
The Virtual Stage ·
Tank Avenger leaves the set design to an algorithm and your own floor. We ask whether scenography can work without a scenographer.
The Virtual Stage ·
A premiere before the premiere: Sozo as staging, with your own room as the stage and the player as a stagehand armed with fists.
The Virtual Stage ·
Ten seconds of calm, six seconds of dead silence, four seconds of black: we count how HAUNTED paces its scares and where the metronome becomes too loud.
The Virtual Stage ·
A tank war nine centimetres tall, staged on the living-room floor: Tank Avenger is smaller than it sounds and bigger than it looks.
The Virtual Stage ·
Malgrath shatters the crystal and sends eight warlords ahead of him rather than appearing himself. Is the absent antagonist a strength or an omission?
The Virtual Stage ·
Start pad, the snatch, the way back: Laser Thief stages every heist like a three-act play – and turns your living room into a stage on which you stand alone.
The Virtual Stage ·
Tank Avenger closes each of its four chapters with a finale that puts everything the house has on stage. Does the arc hold across four acts?
The Virtual Stage ·
From Verdant Hollow to Neon Overdrive: which of Sozo's eight worlds has a signature of its own, and which is merely pretty wallpaper?
The Virtual Stage ·
Laser Thief's rhythm mode reviewed as a dance revue: ten shows, three rounds, beams on the kick drum. Big number or nice encore?
The Virtual Stage ·
An overture on the telephone, seven acts on your own wall, a single scene change: we review HAUNTED as one reviews a premiere.